Items

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  2021-11-01

  Yiddish Cabaret Postponed in Jewish Melbourne

  Melbourne's state of rolling lockdowns through the second half of 2021 played havoc with the performing arts industry. 'Durkh A Modnem Gloz' ('Through A Strange Lens'), staged by the Kadimah Jewish Cultural Centre in Elsternwick, a Yiddish cabaret performed by Galit Klas (with English translation surtitles created and operated by me) was an event that had to be rescheduled multiple times. As seen in the first image, the original performance dates were listed June 23-27, but was postponed to July 21-25 due to insufficient rehearsal time, thanks to the lockdown ending 10th June. With a new lockdown coming into effect on Thursday 15th of July, new dates were again required. In the Facebook post on the 21st of July (screenshotted and posted here), the Kadimah Jewish Cultural Centre officially announced the postponement. These new dates were set for August 4-8, but the opening night was the only show performed as Lockdown 6 was announced and came into effect on Thursday 5th. Now with that lockdown finally over, will ‘Durkh A Modne Gloz’ finally get the full season it deserves? (Uploaded as a part of my university studies: HIST30060)
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  2021-02-21

  Laura Larson Oral History, 2021/02/21

  Self description: “My name is Laura, and I am in two bands right now. I am in a band called Scrunchies and a band called Kitten Forever. I play guitar, base, drums, and I sing in those two bands. I live in Minneapolis, Minnesota. For work, I work at a community cooperative grocery store, in an administrative position, but one that is community outreach based and have a lot to do with meeting and coordinating with our community partners, a lot of the work that I do is about mutual aid, and helping out the community with the resources that we have available to us. Besides that I am a visual artist, I like to paint, I like to draw, I like to read books, and I live in a little duplex with my partner and our cat Sissy.” Some of the things we spoke about included: - In addition to performing in the bands Scrunchies and Kitten Forever, working for a community grocer and its ties to health activism. - Income and racial disparities in Minnesota. - The fear that comes with being uninsured in the United States. - The national confusion around the values of masking and other safety precautions and the burden placed on individuals to make these decisions in the absence of clear and consistent messaging. - The significance of shutting down music events while keeping sporting events going. - Media representation of event cancelations, freezers of bodies, and overwhelmed hospitals. - Living less than a mile from where George Floyd was murdered and movements to defund the police. - How the ongoing destruction of the earth conditioned the pandemic and the enduring importance of climate change. - Grocery store workers being essential workers who still did not receive vaccination prioritization. - Collective trauma and that fear begets fear. - Making and consuming art as a form of self-care. - How new the internet still is as a technology. Cultural references: Save Our Stages, The Atlantic article “Cancel Everything”. See also: https://scrunchies.bandcamp.com/ https://kittenforever.bandcamp.com
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  2021-03-08T12:38

  Danny Denial Oral History, 2021/03/08

  Self-description: “Audio visual artist that lives in Seattle, Washington, specifically in the realm of music and film, and also the intersection of the two. A lot of my work involves amplifying experiences and voices that are often underrepresented, primarily in the Black and LBGTQ+ community. And that’s something that overtime my work has been diving deeper and deeper into over the years, which is something that I think as an artist, I’ve only really come to terms with in the last few years. But it’s been definitely both empowering for me and illuminating to see it reflected back in the ways that people have responded to the work.” Other biographical details: late 20s, from Los Angeles. Some of the things we discussed include: The dysphoric experience of Black artists filtered through white talking points. Unstable work and income as an artist--audio and visual--pre- and mid-pandemic. 2019 was the first year that work as an artist and in performance communities was stable. Releasing the album Fuck Danny Denial in 2020 (https://dannydenial.bandcamp.com/album/fuck-danny-denial). Pandemic specific economic penalties of musicians in the case of live streams for Seattle Pride and Folsom Street Fair. The burden on artists to make ethical calls about canceling performances in the early stages of the pandemic, and needing to wear “new hats”, like health safety inspector. The pandemic as a shared experience of stoppage, and the need for adaptation. Aging and changing awareness about one’s needs for health care. Working to build equitable opportunities for artists. Since 2015-2019 doing gigs and video projects on contracts. Media outlets’ poor representations of the summer protests, acts of civil disobedience, and the autonomous zone in Seattle. Funding the serial project Bazooka (http://web.archive.org/web/20210622155802/https://ca.gofundme.com/f/dannydenialbazzooka) The ethical decisions associated with wanting to participate in amplifying and uplifting the BLM movement without exploitation for personal gain, engaging as a citizen. Witnessing a friend’s experience of hospitalization due to COVID-19. The value in studying patterns of human friendships and how the pandemic disrupted the conditioning of existence and the importance of local histories of resistance in Seattle. Cultural references: Pan’s Labyrinth, Smash Mouth’s super spreader event, Portland International Film Festival, The Tape Deck Podcast, Punk Black, Darksmith, Taco Cat, Alice and Chains, Duff McKagan, Pearl Jam, MoPOP, Shaina Shepherd, and TheBlackTones.
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  2021-03-17

  COVID-19 Arts & Cultural Relief Fund Distributes Grants To 52 Arts Organizations During Pandemic

  Performing and visual arts organizations in Denver, Colorado have received more COVID-19 relief funding. This newest round of funding, totaling almost $900,000, comes from the COVID-19 Arts & Culture Relief Fund.
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  2020-12-08

  Wings Over the Rockies Through the Pandemic

  Wings Over the Rockies Air and Space Museum is located in a hangar of the former Lowry Air Force Base in eastern Denver, Colorado. The museum offers a host of historic aircraft, artifacts, space objects, and more. According to their website, each year the museum can expect “roughly 160,000 visitors representing all 50 U.S. states and 34 countries around the world.” This year has been much different. The pandemic of 2020 has had a major impact on people, the economy, and businesses all around the world. Certain organizations that rely on in-person attendance has been hit especially hard by the effects of COVID-19. Wings Over the Rockies closed its doors on March 13, 2020 indefinitely. Some staff members were able to continue to work from home. Others were not. When Wings reopened its doors over three months later the museum looked and operated entirely different. In an effort to follow state and CDC guidelines as well as put staff and guests at ease, the museum adopted a new system. Now, museum staff and visitors require face masks, the hangar is sectioned off to keep track of the amount of people in one area, signs and markers are placed throughout the museum to enforce social distancing, and visitors are required to pre-purchase timed tickets. Even with this entirely new system throughout the museum, the biggest effect of COVID-19 on the museum is the silence that plagues its building. As people are reflecting on the pandemic and adjusting their own lives to the changes it mandates, certain organizations, like museums, are struggling to attract visitors. Compared to the year 2019, the attendance to the museum during the months of August through November was down an average of 55% this year. Events at the museum, which provides a major source of revenue, is down 75%. A majority of employees work an average of 2-3 days from home per week. The educational programs that Wings provides, which previously saw students running about flying model airplanes and even building an actual plane, are being moved to virtual platforms or are being cancelled entirely. The question for places like museums is not “when will it be safe to return,” because the 182,000 square foot hangar boasted by this museum is more socially distanced than your local grocery store. The question is, “when will people feel financially and mentally comfortable to return to optional places such as museums.” Until society can step up and do what is necessary to return life to normal, the hope is that the educational and fascinating gems, like the Wings Over the Rockies Air and Space Museum, can keep its doors open to see that day.
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  2020-08-08

  The arts

  I saw this as I scrolled Facebook the other day. I must admit that the arts have never really been in my scope of interest. And by that, I mean performing arts and such. COVID has affected my personal life in many ways but I never thought about the arts and how they have all been affected. This photo changed that for me. As a mom, kid sport games would affect me much more but this picture forced me to look outside of my bubble and into the loss and effects of other groups of people. I think the reality of the arts, specifically performing arts, is that it has been on a slow decline for a few years and COVID just caused devastation to that. I hope posts like this pop up on people's feed like it did to me and force people to look outside of their own bubbles.