Items

• 
  2021-04-09

  Mask Collection

  My personal collection of masks that I have gained over the course of the plague year.
• 
  2021-02-17

  THIS IS YOUR NECK ON ZOOM

  Many years ago, there was a public service ad that said ‘This is your brain on drugs.” It featured an egg cracking into a frying pan, sizzling crisply. I feel the same way about my neck on zoom. It is a horrifying sight. For many of us, ZOOM is the funhouse mirror we do not wish to look into. It has been suggested that staring at ourselves on ZOOM calls sucks the life out of our brains and that it might be better to simply not be able to see ourselves. Apparently, you can block yourself from being able to see your own face while allowing your fellow ZOOM-ers to gaze at you. Honestly, that seems worse to me. What if I look like a Salvador Dali painting? And what about my NECK? Chin high, neck elongated is my mantra. Channeling Audrey Hepburn helps. Otherwise, I look like a candidate for a Thanksgiving carving board. This is what COVID hath wrought. Not a fear of disease or death (although THAT is responsible for the extra furrows between my brows), but a conversation about inner beauty and wisdom vs. gravity and slackness of skin. For women of a certain age COVID has brought a dollop of fear, and a hefty helping of self-pity at the mere thought of newborn grandchildren we cannot hold. And it has also rendered us as insecure and self-conscious as a teenager with a pimple on the tip of the nose. The state of the skin beneath my chin should not matter, and yet it does.
• 
  2021-02-10

  Ubiquity

  This is a personal piece, more like a little rant, about essential workers and the ubiquity of the virus.
• 
  2021-02-09

  A Field Trip to the Doctor

  What it's like to go to the doctor for a non-Covid19 reason.
• 
  2021-02-02

  Silences in Archives, Some Hopeful Musings

  Gaps seem to be just about the only commonality among all public, digital, and academic history projects. One project simply cannot look at everything, nor should it. But this does not mean that each of these gaps should be considered silences. Silences in the archives are more specific. And they are typically the result of silences in the historical archives, left by those collecting the material or creating the documents. Silences can also appear naturally, for example, those who are either unaware of the Journal of the Plague Year, do not have the technical knowledge or infrastructure to access to it, are unaware that they are encouraged to participate, or who do not believe that the COVID19 pandemic is "real." In the present, they represent people who cannot or will not enter their stories into the archives. When large numbers of people in those groups do not contribute, that creates silences for the historians and humanists who will use the archive in the future to attempt to make arguments about 2020, and seemingly, 2021. The archive structure does not exclude these voices by design, but the tangible and intangible realities of the world that it is born into and built in does. And they are hard to account for, even in the most thoughtfully constructed projects and archives. Attempting to correct these silences by making entries on behalf of those perceived as "the silenced" does not always close the gap and sometimes actually silences them in favor of another's narrative. One exception might be that a tech-novice writes a story on paper, and a family member posts a photo of the paper with a verbatim transcription to the archive, listing the original author as its creator. Or assists with an audio recording as a piece of oral history and shares it. But to write stories about another, as another, seems disingenuous to the spirit of the project. Hopefully, if in 50 years the JOTPY is still a two-way street where material can be discovered as well as entered, historians, genealogists, and other humanists will scan, add, and upload the digital and analog records and accounts they find in their work, so that in 100 years historians have fewer silences to contend with. This future, of course, is reliant on sustainability, usually grounded in funding for digital projects and reliant on humanists interested in running it. Many digital public history projects are defunct online due to lack of sustainability and compatibility, and those recorded voices become lost, silencing and re-silencing them over again.
• 
  2021-01-22

  A Covid Experience

  I learn about myself through the stories of others; this account is both a recounting of my friend Stephanie’s story, a conversation we had after she contracted Covid19, and my own introspection about the different impact that written and spoken stories have.