Items

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  Summer 2020

  Culture at a Social Distance

  My submissions for #lockdownstatenisland are two examples of creative measures local cultural institutions implemented in Summer 2020 to continue to serve the public safely outdoors. The first is the #WomenoftheNationArise outdoor exhibition at the Staten Island Museum. The gallery exhibition opened a week before lockdown during Women’s History Month - March 2020. Since the galleries had to be closed, the outdoor exhibit gave visitors to Snug Harbor Cultural Center had the chance to explore Staten Island’s role in the fight for women’s right to vote from a #socialdistance. The second is at Historic Richmond Town’s socially distanced recreation area. With picnic tables and chalk circles on the grass, Historic Richmond Town provided a safe outdoor space to enjoy fresh air, sunshine, a book, an ice cream cone, and some time with friends or loved ones.
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  2022-03-07

  Arizona to remember COVID-19 dead at 'Memorial Day' event,

  This article is about the Covid Memorial Quilt exhibit at the Arizona Heritage Center in Tempe. The Arizona Heritage Center is a museum of the Arizona Historical Society. This article describes the quilt and the memorial event held on Monday, March 7, 2022. The event was sponsored in part by the non-profit group Marked by Covid which honors those who have died of Covid 19. Almost 28,000 Arizonans have died of Covid as of March 7th.
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  2022-03-07

  COVID memorial event in Tempe features remembrance quilt for family, friends. AZ Family article

  This article is about the Covid Memorial Quilt exhibit at the Arizona Heritage Center in Tempe. The Arizona Heritage Center is a museum of the Arizona Historical Society. This article describes the quilt and the memorial event held on Monday, March 7, 2022.
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  2021-06-19

  Museum of the San Ramon Valley

  The Museum of the San Ramon Valley is well on its way to being back to normal. On June 15th, California officially reopened, which amongst other things meant there were no restrictions on how museums could operate. This means we can finally operate at full capacity. Even when we could only operate at 25 percent capacity we never hit our upper limit of guests, so capacity wasn't ever really a problem. That is something that concerns me as the museum reopens; that we will have low attendance. I was able to work at the museum a few times in the middle of the pandemic, and I never worked a day where we had more than thirty total guests (including people who were merely looking for a restroom or asking for directions to something, who did not pay to look at the exhibits - we had probably no more than 20 or so paying customers per day). We also don't need to impose mask mandates as of June 15, but the museum's board of directors decided to keep our mask mandate. However, if someone comes in without a mask and doesn't want to take a free one then we will still allow them into the museum. I am not concerned by this because I am vaccinated, and even if I wasn't there is a very low likelihood of getting sick. We have not done any exhibits related to COVID yet. Starting last year and continuing this year we have an exhibit on the 100th anniversary of the ratification of the 19th Amendment, with a focus on our local area. This is in addition to our regular exhibits. Starting today (June 19) we also have our train exhibit for a month, which is a model train display with models of local historical buildings (and other things, like a UFO and more non-history-related things). The model train exhibit always brings in little kids with their families, so hopefully that improves museum attendance. Most of our attendance comes from families with little kids, older Baby Boomers, and the elderly. The museum needs to improve on attracting people in their teens and twenties in order to earn more. Hopefully, a COVID exhibit can do that by making history more personal. On our website, we have a story collection form for people to share stories of COVID, much like JOTPY, but I do not know what we will be doing with those responses. When I physically work at the museum next I have a bunch of items from last year (inspirational painted rocks, city council and school board campaign materials, masks) that I will donate, and hopefully, those and other items find their way into an exhibit.
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  2021-04-20

  JOTPY Exhibit: "Arizona's COVID-19 Pandemics" by James Rayroux

  While working as a curatorial intern on ASU's 'A Journal of the Plague Year' COVID-19 archive, I created this exhibit on the pandemic experience within the state. In addition to obvious, overarching realities such as socioeconomic status and immediate access to healthcare systems, I initially believed one of the greatest deciding factors that determined one's experience in Arizona was an individual's residence in either predominantly urban or rural environments. The proposed exhibit had been originally titled "A Tale of Two Arizonas" to pay respect to Charles Dickens and the differing realities experienced here. To test my proposed hypothesis, I went about finding data, stories, and submissions that substantiated or disputed my premise. Within a short time, I had identified four distinct environmental drivers of personal pandemic experiences; to me, that indicated the existence of many more I hadn't yet found or had overlooked along the way. My evidence suggested a minimum of four pandemic locales: Urban, Rural, Border, and Tribal within the State of Arizona and its fifteen counties. The recorded health data and personal experiences demonstrated the naivete of my initial hypothesis, and I retitled the exhibit: "Arizona's COVID-19 Pandemics." The Exhibit Background section illustrates the vast dichotomies within Arizona in terms of population density and access to healthcare facilities. Given the virus's respiratory nature, these factors seemed especially relevant to driving diverse local experiences. I chose to include a flyer from the Coconino County Health and Human Services' "Face It! Masks Save Lives" campaign. The flyer included a specific line to "Stay Home When Sick" that seemed to illustrate a different public health paradigm than the broader "stay home" orders from Maricopa and Pima county. This section also features an image of Sedona's red rocks and a portion of The Wave to remind visitors of the wide-open rural areas accessible to all, as well as those with cultural significance to the Native American tribes and limited access to the general public. The next section asks a short, five-question survey in which visitors may participate. The Silver Linings piece features a short audio clip of a father and husband discussing some unexpected benefits of the pandemic. Visitors may explore additional Silver Linings stories and submit their own experience. The Tséhootsooí Medical Center piece seeks to illustrate the different pandemic experience on the state's tribal lands. I hoped to inspire some relevant emotional turmoil for the visitors through the piece's visual presentation. I wanted to create a series of waves with quotes from the medical center's healthcare workers. I hoped visitors' attention would be drawn to the large, bolded key words, and that they would first experience the segments out of sequence because of that. After potentially feeling a sense of chaos, they might settle themselves into a deliberate reading of the texts and find their own order within the experiences provided here. This piece allows further exploration of Native submissions and topics, a review of an additional related news article, and a submission prompt that invites visitors to offer guidance to hospital managers. The next piece illustrates the differences between mask mandates in communities across Arizona. In addition to hearing an audio clip of interviews with mayors and a public health official, visitors can explore additional submissions related to mask mandates and submit their thoughts on statewide mandates. The Arizona Department of Health Services provides zip-code specific infection data on its website, and the wide array of known case infections therein further illustrates potential dichotomies across the state. In working to include and represent this data in a consumable way, I encountered inconsistencies with tribal data. The nation's Indian tribes are overseen by Indian Health Services, a federal public health agency, and it does not collect or report data in the same manner as the State of Arizona or its counties. At first glance, the data would seem to suggest that tribal areas had less severe pandemic experiences than the rural and urban areas, which was not objectively true. I wanted to offer the unedited data to visitors, allow them to drawn their own conclusions, and invite them to offer their thoughts on what potential misunderstandings might emanate from these reporting differences. Visitors may also choose to review the foundational data from this piece, as well. I used the following two sections to offer submission prompts about the visitor's overall pandemic experience as a function of their location, as well as what they might have done if placed in charge of their city, county, or state during this pandemic. A diverse Search section allows visitors to explore additional topics of interest to them. 23 hyperlinks offer pre-defined search parameters. An Advanced Search link allows self-defined research, and a Join The Staff link connects visitors with opportunities to work within the JOTPY archive. A final section asks visitors to provide feedback on the exhibit, its content, and the pandemic in general. Both surveys within the exhibit will display overall results to visitors who participate in them. Through this process, I found incredible amounts and diversity of data outside the archive that spoke to these generally localized experiences, but not that much yet within the archive explained what Arizonans had experienced outside the state's urban environments. I created a call for submissions and delivered it to fifty rural entities that might help support the effort to collect and preserve more rural Arizona stories. Between all the local libraries, historical societies, museums, small-town mayors, and county health officials to whom I asked for help, I am optimistic the archive will better represent all Arizonans in the coming months and years. Despite the exhibit having been created, I ensured its internal search features would include future submissions and allow the exhibit to remain relevant long after its release.
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  2021-04-18

  "Kimberly in Red" by Indigenous Artist Nayana Lafond

  Indigenous artist, Nayana Lafond, painted this piece as part of the Missing & Murdered Indigenous Women & Girls (MMIWG) exhibition. The exhibit was designed to advocate for these missing women and to stop the violence against Indigenous women. On her website, Lafond features "Kimberly in Red" with the following description, "Kimberly LaRouge, Ojibwe from Lac Courte Oreilles Wisconsin. Mother, grand mother, motorcycle racer, traditional jingle dancer and badass." I would encourage everyone to visit Lafond's website and view her powerful and emotional art pieces.