Items

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  2020-07-26

  American Theater Workers Urgently Need Financial Help. The Government Must Step In.

  "The arts in New York City is a major economic engine. According to a study commissioned last year by the Mayor’s "Office of Arts and Entertainment, theater is responsible for $1.3 billion in annual economic output, 8,409 jobs, and $513 million in salaries. The Broadway closedown, effective from March 12, has had a massive financial impact on New York, and a massive personal impact on those who work within it...When the coronavirus pandemic hit New York City, hundreds of Broadway shows closed immediately. While the Actors’ Equity Association was able to secure several weeks of pay and health insurance for Broadway and touring performers, many were left with nothing."
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  2020-08-10

  The Working Artist Needs Your Solidarity

  An item curated for the Performing Arts collection to highlight the plight of the American theatre professional. "It’s looking more and more likely that, barring an incredible about-face like a spectacularly successful vaccine or a powerful and immediate treatment option, a majority of U.S. theaters won’t survive the pandemic. This includes theaters that were financially flourishing in the Before Times, like Mercury Theater Chicago. And along with these institutions, a majority of theatremakers — not just actors or directors, but costumers, musicians, composers, wig masters, props masters, designers, electricians, stage hands, carpenters, stage managers, company managers, house managers, administrators, wardrobe crew, production assistants, ticket sellers, concessions vendors, marketing directors, photographers, choreographers, venue staff — will not be able to wait this out."
• 
  2020-05-14

  Virtual Film Festivals

  After years of working on a new short film about the Seattle's iconic Space Needle, it was scheduled to screen at a number of film festivals. But then came the CoVid19, quarantine, closures of movie theaters, etc. Several film festivals either cancelled their festivals entirely, or transitioned to virtual film festivals online. Normally, film festival premieres come with lots of face-to-face parties and networking - hanging with other filmmakers and celebrating the excitement of taking our work out into the world. It's a time to 'stand in the spotlight' and connect with live audiences. But instead, a new type of festival experience is happening, and for me, it hasn't been bad, just very different. The Cascadia International Women's Film Festival screened my "Space Needle: A Hidden History" in May. Located in Bellingham, Wash., the festival organized a live conversation with an art critic, one of the participants in the film, and me. We talked for about 40 minutes - longer than the typical Q & A at a traditional festival. I answered questions from the comfort of my living room and toasted the event online with a beer. I felt honored by the thoughtful questions of a journalist and a brilliant dancer in the film, and the fact that we didn't have to squeeze in to a 10 min. window. The interview streamed on Facebook. Viewers tuned in from all over the country and the world. (Hopefully, they'll start referring to the Needle as a 'she' since the shape was inspired by a sculpture called, 'The Feminine One.') I later learned the organizers had as many, if not more, viewers as in previous years. For another festival, By Design at the Northwest Film Forum in Seattle, I videotaped an introduction to the film that screened before a real-time stream. That was convenient though I felt a bit stilted talking to the camera on my computer. As a film festival attendee, I liked that I was able to watch films online during a window of time, instead of having to make painful decisions about which films to see when several were scheduled at the same time, and if lucky, I could watch on my own time during a designated window. No hassle standing in lines to get tickets, waiting to be admitted and scrambling for seats. No sticky floors and spilled popcorn, coughing or snoring audiences. I'm glad I didn't have to fly anywhere or drive long distances, though I miss being with fellow filmmakers and the in-person synergy that happens when a bunch of us get together in the same space.
• 
  2020-05-17

  I needed to do something': How Indigenous people are building solidarity.

  "One elder, his uncle, encouraged him to check in on indigenous people he knew. “That’s one of your medicines,” Rivas says his uncle told him. “You’re good at that.” Another, his friend Pualani Case, who is Hawaiian, reminded him that indigenous people practice solidarity."