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New York City
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2020-05-15
Smith College Commencement Illumination Night
One of my favorite traditions during commencement weekend at Smith College, my alma mater, is Illumination Night. The school turns off all the lights on campus and strings illuminated Japanese lanterns along all the paths, and everyone walks through them in hushed tones. This year an alumna had the idea to ask alumnae to create their own “lanterns,” photograph them, and upload the photos to social media. This is a selection of a few of them. The school also created an interactive map that shows the lanterns spread across the globe — you can click on a site and see the photos uploaded from that location. I teach in New York City and had just flown down to New Orleans for spring break when the country went on lockdown. I’ve been quarantining in a friend’s empty apartment here since then, and there aren’t a lot of supplies on hand. So for my own lantern, I just took a paper bag from the supermarket, turned it inside out to hide the logo, used an X-Acto knife to cut the words “my sister” out from it (Smith is a women’s college), and put a few candles inside. Somehow using my hands to make something personal for the graduates made me feel more connected to them than I would have felt had there been an actual Illumination Night — the difference between creating something and merely receiving it. That said, my heart goes out to all graduates everywhere who didn’t get to celebrate their accomplishments with their loved ones. Seeing different alumnae’s lanterns was touching and inspiring, but there’s nothing like a shared space or a simple embrace. -
2020-04-26
A Memorial Is Never Small
A police station was situated a few years back in my neighborhood, which was a welcome addition as the otherwise quiet neighborhood had been experiencing low level crime and quality of life issues. For the first time in my life, I will be served multiple glimpses into a working police station as I would use the subway stop multiple times, albeit not during the covid lock down as I was staying indoors for an extended period. At one point I decided to 'break quarantine' and head into Manhattan where I came across this memorial to some officers who passed away due to covid-19. I was living in NYC during 9-11 and seen the various impromptu memorials to all those first responders; there had also been a previous memorial to an officer killed in a non-work related incident (I believe but I am not sure and only included to provide context to the memorial). This was a disquieting discovery because these officers were stricken by a virus that they would not have known where, when or how they were infected. While I was indoors all that time; even though I knew there were many essential workers who were being felled but I did not see their faces and names in such an up close yet quiet fashion. It was what their brother & sister officers could do and that is all that matters. -
2020-05-14
How Coronavirus Has Devastated Queer Party Community
"DIY nightlife in New York City is quite an impressive achievement given the high volume of other, more institutional nightlife venues and agendas all through New York’s five boroughs. New York City is known all across the world for its bars, nightclubs, music venues and other social spaces, not only because of the city being a microcosm but also because of the rather lenient limitations of the city’s curfew on alcohol sales, allowing clubs to operate until 4:00 am or later." This article describes the impact of the pandemic on queer nightlife and was written by a senior journalism student following a beat developed and thought about in terms of the "local" in a journalism course at Pratt Institute that was upended by the pandemic. -
2020-04-30
From Riots to Lockdown, Hong Kong to Coney Island
"The political climate of “One Country, Two Systems” of my mother’s home country of Hong Kong hit home for me as a first-generation American. A part of me resonates with student protestors resisting a communist regime such as China." This article describes the abrupt change from writing about Hong Kong and China and its protests to writing about the Covid-19 pandemic, written by a senior journalism student following a beat developed and thought about in terms of the "local" in a journalism course at Pratt Institute that was upended by the pandemic. -
2020-04-30
How PRINT and Poster House Tackle COVID-19
"As the coronavirus pandemic reshapes huge swaths of society, the design world is responding with eye-catching visual messages of safety and gratitude. Because of this, there has been a huge surge of design activism." This article describes the increase of posters aiming to spread PSAs and messages of love and solidarity in NYC and was written by a senior journalism student following a beat developed and thought about in terms of the "local" in a journalism course at Pratt Institute that was upended by the pandemic. -
2020-03-18
Covid19 in Newyork
I had an internship last year in New york. It's a crowded city. When I got off from work, I have to walk really fast, because if I walk slower than others, there even some bankers would push me to walk forward. They are not intended to do so, just because there are many people get off work during that time. And it's usually a noisy and energetic street. However, during the Covid19 period,it became a quiet street, almost nobody on the street. Also, people on the street would wear masks. I think it's a big change for this street and really shocked my mind. -
2020-05-12
Remnants of Normalcy
When quarantining started, I had mixed feelings about not attending school or work, not seeing my small circle of friends, and not getting to take mini explorations out in the city. I'm an introvert who dies to get out of the house. The house I've lived in for my entire life has brimmed with tension and toxicity in recent years. Outside is where I've found my peace and my place in the world. School is my space to grow as an artist, to tap into my capabilities, and to be - or at least find - myself. My job is my step into independence and my career as a filmmaker. My friends are my soul connections, they breathe life into me with their jokes and smiles. My lone adventures around New York City remind me that the world is enormous, full of energy and life, and I can end up wherever I choose. These elements of my life give me the confidence and hope I need for the future. I appreciate these moments dearly. This short film speaks to all of that. -
Six Feet Or More
Walking through Brooklyn Bridge Park I tried to stay as far away from other people as I could. This woman and I did a sort of dance; each avoiding each other. Finally we both ended up on the water -
2020-04-01
Chinatown, NYC April 1, 2020 7:37 AM
I drove over one morning to shoot a final roll of 120 film before dropping off 10 rolls at my newly re opened lab. I kept trying to photograph absence. It's gone from one of the densely populated areas of NYC to one of the most vacuous. -
2020-05-26
Rewilding (Part II)
This is a literary response to Covid (one of three parts) from the point of view of someone far away from the worst of it. -
04/02/2020
Kurt Boone New York City Covid 19 Photo Collection #3
Homeless person brings his personal belongings on empty subway car in New York City . -
03/25/2020
Kurt Boone New York City Covid 19 Photo Collection #2
Desolated Madison Avenue in New York City. -
2020-05-26
NYC Covid Photos
Kat Griffin Photography -
2020-03-19
‘We should blow up the bridges’ — coronavirus leads to class warfare in Hamptons
New York Post article on 1%ers "escaping" to the Hamptons and putting severe pressure on local communities. -
05/14/2020
Update on State of Emergency Exec. Order from Gov. -- NYC on PAUSE ("Policies Assure Uniform Safety for Everyone")
E X E C U T I V E O R D E R Continuing Temporary Suspension and Modification of Laws Relating to the Disaster Emergency WHEREAS, on March 7, 2020, I issued Executive Order Number 202, declaring a State disaster emergency for the entire State of New York; and WHEREAS, both travel-related cases and community contact transmission of COVID-19 have been documented in New York State and are expected to continue; NOW, THEREFORE, I, Andrew M. Cuomo, Governor of the State of New York, by virtue of the authority vested in me by Section 29-a of Article 2-B of the Executive Law to temporarily suspend or modify any statute, local law, ordinance, order, rule, or regulation, or parts thereof, of any agency during a State disaster emergency, if compliance with such statute, local law, ordinance, order, rule, or regulation would prevent, hinder, or delay action necessary to cope with the disaster emergency or if necessary to assist or aid in coping with such disaster, I hereby temporarily suspend or modify, for the period from the date of this Executive Order through June 13, 2020 the following: -
2020-03-15
Brooklyn Bridge 2 days before the NYC shutdown
Celebrating trans pride in quarantine -
2020-05-06
Post from Facebook group about COVID experiences and history
I think it captures the elements of human strength and tragedy experienced by people during this pandemic. I think that the hardship in NYC is felt especially strong in Easton, PA, as many people commute/have family in NYC/have lived in NYC. -
05/01/2020
Daily Brooklyn Walk #4
Fox, a flag and a facemask. *#fordhamuniversity -
04/22/2020
Daily Brooklyn Walk #3
An Earth Day walk; a shuttered movie theatre marquee and a cabbage *#fordhamuniversity -
2020-04-15
New York After Covid 19
Ninety-five percent of New York City's right around 200 passings from the new coronavirus had fundamental wellbeing conditions, however practically half were younger than 75, as indicated by information distributed by the city's wellbeing division on Tuesday. The passings, just as information on cases and hospitalizations, emulate the examples found in different urban communities with significant episodes. New York City had more than 15,000 Covid-19 cases starting at 5 p.m. Tuesday, the biggest flare-up in the U.S. -
2020-04-24
Streets and Avenues / New York City (XV)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-24
Streets and Avenues / New York City (XIV)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-07
Daily Brooklyn Walk #1
A hopeful graffito on a day 564 people in NYC died of COVID -
2020-04-30
USS Comfort, leaving NYC
I took this photograph of the USS Comfort, a Navy medical ship, leaving NYC on the Hudson River. It arrived in early April to supplement the already overtaxed medical resources of NYC. I don't think it ever helped as much as we hoped, taking fewer than 200 non-covid patients, and treating between 180 and 190 Covid patients. All the same, it's a good sign that it is no longer needed. -
2020-04-21
"The Hermit Herald" vol. 1, Issue 18
NYC not to recover for Years; prisons; Remdesivir; oil prices -
2020-04-08
"The Hermit herald" vol. 1 Issue 11
China burying CV problem; U.S. Stimulus pkg; more on the hydroxy Issue; Capt. Crozier, cont’d; Crime & CV. -
2020-04-06
"The Hermit Herald" vol. 1 Issue 10
Discussion other vaccines;Drinking & CV- Pantsdrunk; gun sales Telemedicine. -
2020-03-28
"The Hermit Herald" vol. 1 Issue 5
People fleeing NYC; Insurance increases; $2 Trillion USG Proposal; close down tightens in FL; Ukraine corruption. -
2020-03-29
COVID 19 Journal: 03/29/2020
COVID 19 Journal by Kaitlin Whalen written 03/29/2020 -
04/16/2020
“NOTIFY NYC” Text Alerts
Text alerts related to NYC COVID response -
2020-04-20
Streets and Avenues / New York City (I)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (II)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (III)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (IV)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (V)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (VI)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (VII)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (VIII)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (IX)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (X)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (XI)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (XII)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-20
Streets and Avenues / New York City (XIII)
After college, and a year of vagabonding through Central and South America, I moved to the city forty-two years ago. I was drawn to New York, like many, by the energy and complexity of the city itself, and more specifically, the rich and endless theater found on its streets. While the array of cultural offerings has been a source of nourishment and pleasure, it is the streetlife that keeps me as excited as my first weeks here. What I love about New York is not what I know about the city, but how much I don't know. You cannot exhaust it as a subject, and from the start, I have made the city my primary interest and subject as a photographer. I always go out with a camera and am often mistaken as a tourist because of it. I take that as a compliment, given few can match the exalted state of excitement and awareness that a tourist experiences on a visit. When the Coronavirus hit and the staggered shutdown of the city went from a talked about possibility to a reality, I found myself inside my apartment looking out at the street below. At first, I made short trips to get necessities, then later added walks through Central Park, and now through the streets of Manhattan. If you think of a photograph as a piece of theater, with a stage set, lighting, cast, and choreography, the new version of the streetlife of New York is an eerie and fascinating show. The set and lighting is much the same, but the cast and choreography have wildly changed. Wandering through Midtown is like walking through an amusement park in the off-season. You experience the present colored by what you know it to be in season. -
2020-04-09
The Challenge of Social Distancing in Hasidic Communities
Frimet Goldberger writes about the effects COVID-19 is having on the Hasidic community in New York City, and also points out how their traditions and lifestyle are contributing to the exacerbated effects of the virus within their community. Household numbers considerably larger than the average American household, a deeply communal lifestyle, a lack of access to the news, and distrust in secular authorities and science are all contributing to the intensified effects that COVID-19 is having on the Hasidic community. Instead of blaming Hasidic Jews as a whole, Goldberger points a finger at rabbis that are in the position to warn their community about the threat of the virus and encourage social distancing protocol but choose not to. -
2020-03-13
March 13, 2020
A walk on Friday the 13th. I shot out a roll of photographs on a loaded camera I found around the house. I'd never used the camera before and was unfamiliar with the 2 1/4 inch square negative format. I was able to bike into Manhattan and have this single roll of film processed and scanned at a lab, but now that it's closed I have rolls piling up. My aim is to shoot a single 12 exposure roll during each day of shelter in place. -
2020-04-14
Pandemic in NYC
This video was posted by a healthcare worker in New York City. She wanted to show people the severity of the pandemic and how it is affecting them. She shows the freezers that are used to store the bodies as well at the cars used as a hearse. -
2020-03-27
New York Times front cover
Lockdowns in the US have caused unemployment to skyrocket/ -
2020-03-29
"A Nurse Shares Harrowing Photo Of COVID-19 Victims To Show How Horrifying It Is"
"A Nurse Shares Harrowing Photo Of COVID-19 Victims To Show How Horrifying It Is" -
2020-03-14
#CoronaVirusUpdates
This tweet went viral. It is humorous and it ties together conversations surrounding precautions taken regarding COVID19 and preexisting narratives regarding New York public transit. In 2019 and 2020 New York's MTA began a campaign to stop train fair avoidance that became largely unpopular in the city and was subject to much critique on social media. #HIST5241 -
2020-03-22
Drone Footage of New York
Drone footage of New York #HIST5241