Items

• 
  2022-06-03

  First Student Trip After COVID-19 Pandemic Began

  I have led a student global travel trip for the last 10 years at my school. Because of the COVID-19 outbreak in 2020, our trip to Australia and New Zealand was delayed/cancelled until 2021 in hopes of COVID being over by then. I had 27 students have to postpone traveling on this trip. In 2021, we came across the same restrictions, and our trip was cancelled again. As we we were planning our 2022 trip, New Zealand still had quarantine rules that would have kept us in the hotel for a week before we would get to go anywhere or do anything. Due to this, we changed our trip to one to France, Switzerland, Germany, and Austria. My students wanted to travel again, but did not know what to expect. There were still masking rules in place in a lot of the places we visited, and everyone had to take a mandatory COVID-19 test to be able to leave Europe at the end of the trip and get back into the United States. This was the scariest part because if your test revealed you were positive for COVID, you were required to stay in the country until you were negative. Everyone on the trip dreaded the day of the test because we had heard so many stories about other schools on different trips that had students who had failed the test. The trip was extremely important to me because it represented these students being able to fully restart their lives and finally be able to be kids again. This is a picture of me from the Louvre waiting my turn to see the Mona Lisa. It was taken immediately after I took a picture of all my students in front of the painting. I can see the happiness in my eyes again, getting to see students do something they love to do.
• 
  04/17/2020

  Victoria Musser Oral History, 2020/04/17

• 2020-03

  Old dog/new tricks! a new way to teach.....

  I finally became a video star.....that was never my intention when I started teaching fifty years ago! I am an adjunct art professor. When lockdown came and I couldn't teach in person, I had to find a new way to teach my class.....Zoom felt too complicated to me so I communicated with my students via email and videos that my husband and I made in the basement! A 15 minute video took over 3 hours or more between the filming and the editing! In addition, I really had to work hard to find the best way to communicate-the most effective way to present the lesson, as no questions could be asked as I presented the material. It really got me to think and be very clear about the subject and the best way to teach it. Once in front of the camera, I made believe I was talking to my class and just ran with it! I felt comfortable once I started. It was funny though, as we had to carefully think about camera angles and outfits that worked well as I moved! After all, this was permanently on tape...And, I had to be brave! My Brooklyn/StatenIsland accent was forever heard, as well as facial features, expressions and body parts that have always plagued me be forever seen! Overall, though, a great experience!!!! Who would have thought that such an awful, disturbing period could bring about new, positive experiences! Ah, but that is life after all, isn't it?
• 
  2021-09-11

  Essential Immigrant Stories - Photo Book 2021

  Essential Immigrant Stories is a photo-documentary project by visual artist and photographer, Arlette Cepeda, that focuses on highlighting the challenges and opportunities the COVID-19 pandemic has created for Staten Island’s immigrant community members through portraits and accompanying stories. The goal of this project is to elevate and validate the immigrant experience and their impact in our Staten Island community. “Through portraits and accompanying short stories, I'm interested in documenting the experiences of the often neglected, silenced or omitted immigrant population of this particular north-shore neighborhood.” “It is my hope that this project can help create awareness, increase empathy, acceptance and understanding of our otherness, narrowing the divide and discrimination often faced by immigrants.” - Arlette Cepeda
• 
  June 19, 2020

  Essential Worker Appreciation

  Screenshot of a poster thanking Staten Island essential workers from the CSI Public History Coronavirus Chronicle Facebook page
• 
  June 20, 2020

  pandemic continues staten island

  Screenshot of various photos in Staten Island during Covid19 from the CSI Public History Coronavirus Chronicle Facebook page
• 
  2020-06-28

  New York art

  Screenshot of New York art from the CSI Public History Coronavirus Chronicle
• 
  July 12, 2020

  Arch of Washington Square park during BLM demonstration

  Screenshot of washington Square park arch before a BLM demonstration from the CSI Public History Coronavirus Chronicle Facebook page
• 
  2022-03

  Yesteryear

  Yesteryear is the product of pent up anxiety, confusion, loss, depression and hopelessness, painted in 2022. It is how I would describe life before and after Covid-19. Separated into two pieces the anterior canvas is multicolored, to represent the carefree state of life. It can represents the high points in my life pre-pandemic, inclusive of freedom and family. The oil protrudes in some parts and is flat in others signifying the highs and lows of everyday life. The posterior canvas is quite the opposite if viewed closely, some of the colors used in the painting above have been covered in dark colors. It is smooth to the touch. No high points in this instance. All lows. Dreary. Dark. The red bordering both , represents the vitality of human nature. At the top it was uncontrolled, bleeding into all other aspects of life pre-Covid. As it travels south, it becomes thinner, more rigid, more linear. It then starts to completely disappear and despair has taken its place.
• 
  2022-07-21

  SMhopes and the Big Blue Bus

  Through a grant from the City of Santa Monica Cultural Affairs Department program, Art of Recovery, artist Paula Goldman designed five banners based on uploads to the project call page on this website, SMhopes: an Archive of Hopes and Dreams. The banners will run on Santa Monica's Big Blue Bus transit system for the month of July, 2022.
• 
  2020-11

  Group Homes and the Pandemic

  To understand my story, I will give some context as to the nature of my work. I worked at a group home made for 14–17-year-olds unaccompanied minors coming from Central America. When they entered the program, they are put into one of the many houses that we currently have and given a room, education, structure, all the things that make for a normal life. These many houses would interact with each other quite frequently, many times, the best friends of one house were in a different house. Many of the kids were in soccer and other sports, they would go to church, and different places in town on a regular basis. Once the lockdowns began, our program proceeded in a similar fashion to prevent anyone from getting infected. One of those things included stopping the normal interacting between the houses and confine everyone to their own homes. Besides the obvious social loss, school provided them with access to English almost the entire day; to make friends here, they would learn on their own, to meet a boyfriend or girlfriend, they would work at it every single day. You can’t measure what the pandemic took away from these kids. Each one of them is no doubt less fluent in English unless they had actively worked at it, they missed out on getting to know the culture and embracing it for their future, so many things that we can not measure, but without a doubt were lost. For some though, the pandemic turned into a very good time for learning and becoming better than they were before. Hours would pass very slowly in the house, and you can only watch and play video games so long before getting bored, so one youth found something that they were very good at. This youth would spend his time crafting all sorts of different things. Eventually, his walls were filled with rosaries, charms, bracelets, animals made of beads, and all sorts of other random crafts I could not name. He had a zest for life even during the pandemic and worked hard to keep learning more and more. The necklace in the picture is one that he had made for me that I hang on my shrine at home. He was a very religious, and it was that religion that helped him get from his home country and make it to the United States. This is a common story for many of the youths in my program, they take religion seriously and try to continue the traditions they had in their home countries. They could not go to Church during most of the lockdown and found other ways to express their religiosity, this is how the youth in my story expressed his.
• 
  2020-09-22

  Visit the museum

  A comic strip about Covid-19
• 
  2020-08-15

  Museums

  A comic strip about Covid-19
• 
  2022-03-03

  Vaccinated: Because I'm Not An Idiot

  This is an Instagram post by heretic_designs_shop. This is a cross stitch of an opinion on the vaccines. Since the vaccines have become available, people have been making and selling merchandise with how they feel about the vaccines. The person that owns this shop says that this design is available for purchase.
• 
  2020-04-17

  I cough for my art

  A comic strip about Covid-19
• 
  2022-02-25

  The Fall of Covid

  This flower represents the growth I have attained and hope. While the petals represent the things I felt like I lost during Covid. I think it is important for people to see how Covid affected everyone. This may open their eyes or give them something to relate to.
• 
  2022-02-25

  Pandemic Rendition

  The pattern of small, blue, unorganized, squares reminded me of a hospital or a doctor’s office, the first place I would go when I am sick. During this time, it seemed as if everyone was sick, there were no appointments available to meet with a doctor nor beds for individuals who were experiencing peak Covid symptoms. Words that describe a hospital: white walls, clean floors, sterile rooms, and order, or at least it was before the pandemic. The background is far from orderly, red is also present amongst the blue squares. This is to represent our health care professionals doing their best with the knowledge we had about this novel virus, but still witnessing many deaths. There are also green rings hovering around the two individuals. Green is often connected with germs or sickness. In the beginning cleaning products were flying off the shelves, people wanted to clean all surfaces as a preventative measure. This meant that consumers were buying several jugs of bleach, rubbing alcohol, hand sanitizer, disinfectant wipes, and many other products in surplus (creating many shortages). The air around the two individuals is filled with images of the Covid-19 virus under a microscope. Masks became a way to protect oneself from catching the virus, ultimately leading to mask mandates. The two individuals facing one another represent the mass separation we experienced during lockdown and with social distancing.
• 
  02/22/2021

  Bryan Gilbert Oral HIstory, 2020/10/05

  HIndiana University – Purdue University Indianapolis student Shanda Nicole Gladden interviews Bryan Gilbert for the COVID 19 project in hopes of collecting stories about racial justice movements in the context of COVID 19. In this interview they discuss noticeable changes in his neighborhood and work place. The reputation of the Eastside of Indianapolis and personal concerns surrounding COVID. The interviewee spoke about his personal concerns surrounding COVID as well as politics, the importance of voting and rising racial tensions. They spoke about the Black Lives Matter movements, protests and demonstrations and art installations that have followed that. They also spoke about hopes for the future, predictions on how COVID will impact the future. How COVID might change relationships (family, friends, community and society as a whole). The interviewee also touched topics of the LGBT+ community, getting married during a pandemic and the hopes he has for the progression of the community in the future.
• 
  08/10/2020

  Helen Brechlin, Oral History, 2020/08/10

  Alex Brice interviews Helen Brechlin, who is an administrative supervisor at the Boston Institutes Contemporary Art Museum. The interview begins with Helen discussing the onset of quarantine and the transition to working from home. She explains the intricacies of managing a team digitally. Additionally, Helen goes into how living with a partner who also works from home, you have to develop a new routine and learning to balance time and space. Helen then explains some things she did teleworking to keep her team strong, including having weekly communications and diving deeper into some of the artists displayed at the museum. Then Helen is asked about the George Floyd incident and how it impacted her and she expressed the importance of community, advocating change, and separately the importance of real communication over social media. Lastly, Helen talked about the differences after reopening the museum and making it safe and comfortable for visitors.
• 
  10/27/2020

  Taylor Hall Oral History, 2020/10/17

  C19OH
• 
  2021

  What Does It Mean to Be Indigenous?

  This is a video on being Indigenous by CBC News.
• 
  2020-03-27

  Walking Through Covid-19

  During the height of the pandemic and quarantine, my family and I spent hours a day walking. We would walk through our neighborhood, the Metroparks, and we would find new trails and paths. One day they made an announcement that the country would be in quarantine for another month. my family and I were concerned and didn’t know what to expect. We were thinking how much longer can this be, what is our world coming to, and will everyone stay safe. we were unsure of our future. we decided to take a walk to clear our minds. During the walk, we came up to sidewalk chalk that said be positive with handprints, hearts, and other creative designs. It was a young girl who was designing these patterns and quotes and it made us realize that we need to stay positive during these tough times. It was a day we all remember during quarantine.
• 
  2020-03

  Being Indigenous During COVID-19

  I am a Game Art major at Full Sail University, but my sister goes to Northeastern University, so we are a Northeastern family. I am of Mayan descent, so living through COVID-19 was a little scary because we got all the news and updates about how COVID-19 was ravaging Mayan communities in Guatemala. We live in the USA in a rural area, so we were a little "safer," but the fear remained. I am proud of my people and my heritage, and I don't doubt our ability to survive the pandemic. Here is a quick sketch I made.
• 
  2020-08-22

  HIST30060: Lockdown Knitting

  (HIST30060) Like the people that learnt to bake sourdough, completed dozens of puzzles or took up running; I decided that learning to knit would serve to occupy the time between work and study that didn't involve Netflix. This represents how I benefitted in part from Melbourne's lengthy lockdowns, as opposed to people who may have struggled with added responsibilities like guiding children through schooling on zoom or working in healthcare on the frontlines of the pandemic. Knitting also acted as something I could mark my time with; this picture was taken on my birthday when I decided to make my first jumper. Instead of remembering this time as purely disheartening, with the news of a re instating of lockdown in late August 2020, I also remember it as an exciting period where I really honed in on my new craft.
• 
  2020-06-15

  "Art World Coronavirus Tracker"

  This Artforum article lists the Rescheduled and Canceled Events in 2020 as of June 15, 2020. It also includes funds and organizations working to help artists and art institutions in addition to museum and gallery closures and those open for appointments.
• 
  2021-08-27

  "New York Art Fairs Are Returning, Eyes Open and Fingers Crossed"

  The New York Times article from August 27, 2021 discusses the anticipation for the Armory Show 2021 edition to go forward after many art fairs decided to cancel this year’s editions in light of the decline in progress since the resurgence of the coronavirus in the summer of 2021. The article also comments on the changes in the art world, lower attendance, loss of participating galleries and a shifting demographic. There has been a notable transition away from blue-chip gallery-centric art fairs to include smaller businesses, in which many more are women-run and or owned by people of color.
• 
  2021-10-15

  HIST30060: From Year 12 to First-Year University

  I interviewed my younger sibling, 'F', and transcribed the audio. They completed Year 12 in 2020 and then began university in 2021, which I believe is a significant transitionary time especially in the context of Covid to document. Their experiences in using different media forms for online classes is insightful and provides an interesting comparison. Additionally they provide insights into changing interests, socialising online, and reflecting on the world around them. They reflect on how they believe the nature of people has changed in relation to each other in an isolated but connected world, which I believe will be an interesting and informative insight for the future to gain an indepth understanding of the Covd-19 era from the perspective of the youth.
• 
  2021-10-03

  Losing is not losing

  I believe we have all lost a lot during this last year. Loss of normalcy. Loss of community. Loss of family and friends. At the beginning I'm sure a lot of people thought the world was gonna end. And in a way it did. Our old world died as we are currently creating a new one. New babies are entering this world with a new chance. another chance to make the world a better place. Another chance to create a new world. They are seeing people for the first time. Yes we loss last year. But we also gained. As the poem states, the art of loosing isn't hard to master.
• 
  2021-03-29

  Lars Wolfshield Oral History, 2021/03/21

  Self-Description: “I am a pansexual and gender fluid artist and artist manager and I work primarily with Black and queer musicians and bands.” Record label: https://www.instagram.com/wolfshieldrecords/
• 
  2021-03-14

  Alex Smith Oral History, 2021/03/14

  Self-description: “I’m an artist, writer, musician, and an off-and-on again activist, lecturer, worshopshop leader. I’m coming out of Philadelphia. My work revolves around concepts relating to Afrofuturism; for lack of a better term: superheroes and the conceptual nature of superheroes and the idea of the vigilante and the people’s champions and heroes can walk among us. I use [aesthetics and the immersive ideas of] from science fiction, cyberpunk, solarpunk, biopunk, and Afrofurturism to empower people of color, queer people and to project us into the future and our ideas and culture into the future as well. I use different mediums to do that, my bands Solarized (a sort of noisy punk rock band) and Rainbow Crimes (indie rock, but a little crazier and noisier than many excursions into that). I have written a short story collection called ARKDUST. And I do collage work and soundscapes and curate events like Laser Life, which was a queer sci-fi reading that me and my friends in a collective that I’m in called Metropolarity put together. That’s my praxis right now: a little bit of everything. I view my work as if I’m creating for 18 or 19 or 20 year old Alex, who probably needed some queer Black sci-fi in his life. So, I’m projecting these aspects of myself back to the past to not just nourish my community, but to nourish myself.” Personal website: alexoteric.com Other biographical details: Vegetarian, experiences depression, Pew Center for the Arts Fellow, during COVID is the first time in his life he’s had Health Insurance. Some of our discussion touched on: Using art to project hope and remaining hopeful during the pandemic. Afrofuturism as a part of the fabric of activism, how it is imbedded in culture and impacts queer and POC culture. How Afrofuturism exceeds an “aesthetic revival” of representation of Black people in the future and the kind of work that needs to be done to ensure those futures. Deciding to cancel a show he was organizing in the early days of the pandemic to protect the presenters and audience members. The everydayness of people dying because they don’t have healthcare access or can’t afford medicine* outside of the times of COVID-19; racism, sexism, and transphobia in the healthcare system.Corporate interests and their influence on policy. The unreasonable imperative that artists take the pandemic as an opportunity for productivity when many are out of work. It is hard to make art without fuel and without food. Witnesses barriers in the healthcare while caring for his partner after a stroke 5 years ago, the importance of medical bureaucratic literacy in a “Kafka-esque system”. Excitement about getting the vaccine. The pandemic in geopolitical context. Isolation in practice: Safety precautions and research prior to traveling for a funeral. Hope for “science married with activism”. Scholars in the humanities and social sciences need to be more visible, speak in lay person’s terms, do advocacy, and get in the streets. “Nothing is safe unless it empowers.” Other cultural references: Netflix, Zombie Movies, Sabrina the Teenage Witch, Oprah’s interview with Meghan Markle and Prince Harry, Black Panther, Teenage Bounty Hunter, Elon Musk, GoFundMe. A specific reference is made to the need for his sister’s sickle cell anemia medicine in this interview. She dies a few months later. The GoFundMe to cover funeral expenses can be found here: https://www.gofundme.com/f/memorial-fund-for-elizabeth-graham?utm_campaign=p_cp_url&utm_medium=os&utm_source=customer
• 
  2020-10-10

  Covidian Talismen

  During the pandemic, Still Life Studio in Santa Monica had to shut down. I set up a studio at home and used my ceramic work to cope with the pandemic. The epic quality of a world wide pandemic soon became the theme of the work itself. I wanted archeologists to dig up these vessels a thousand years from now and know what we had gone through. The "Covidian Amphora" tells the story of things we were doing during the pandemic. The "Vaccine Brewpot" was done about a month before the vaccine was available. I was excited and so made a giant sized (14" x 20") brew pot for it. After I got my shot, I made ceramic vials for antibodies as an ode to the antibody dragon searching through our system.
• 
  2021-05

  Bronx Community College ART 89 Syllabus Spring 2021

  Syllabus for partner class ART 89 from Bronx Community College. Instructor Lisa Amowitz. Spring 2021
• 
  2021-07-24

  Janine Brown. Oral History, July 24, 2021

  In this two-part interview, Ashley Tibollo interviews Janine Brown on how her life was impacted by the Covid-19 pandemic. In the first part of the interview, Brown discusses how her last year of college was impacted and about her transition to remote teaching. She discusses her fears of the Delta variant, what sources she uses to get her information and what her feelings are regarding government action. She also discusses family life and how she was affected by the quarantine. She ends this part with her hopes for the future. In the second part of this interview, Brown discusses her decision to move in with her boyfriend right before quarantine and what it was life navigating a new relationship amidst a pandemic. She also discusses her pets and how their moods changed as her life changed. She discusses the difficulties of house hunting and the ways that the pandemic has affected the market.
• 
  2021-07-12

  SMhopes banners

  These banners were made from submissions to the #SMhopes call on this site, and displayed around the City of Santa Monica in the Spring and Summer of 2021. Designed by Paula Goldman and supported by a grant from Art of Recovery, an initiative of Santa Monica Cultural Affairs.
• 
  2020-07-05

  Painted rocks on Iron Horse Regional Trail

  These are a series of photos I took on July 5, 2020, of a set of painted rocks I found on the Iron Horse Trail in Danville. The rocks say: "BE KIND" "STRONGER TOGETHER" "DANVILLE GOT HEART" "WHEN THERE'S NO PEACE ON EARTH THERE IS PEACE IN CHRIST" "SRV '20" (in reference to nearby San Ramon Valley High School) "SMILE! 🙂" "EMBRACE THE PAUSE!" "count your BLESSINGS" "Learn from Yesterday" "LOVE has many COLORS" (with a painted Pride flag in the background) "TOGETHER we will PERSEVERE" The rocks are all positive in tone, with a rock celebrating the recently-graduated seniors at the local high school, a rock advocating for queer people, a variety of rocks with generic inspirational messages, and a message urging others to find solace in religion. There is also one rock that references Danville's community explicitly.
• 
  2020-11-14

  Diwali rangoli at City Center Bishop Ranch

  This is a photograph of a rangoli at City Center Bishop Ranch I took on November 14, 2020. That date also happens to be Diwali, a Hindu holiday on which some people make rangoli. Rangoli are made of various dyes and powders.
• 
  2020-03-30

  The Real CovidBusters

  This is a drawing that I created in Mar 2020 after I had been let go from a 14 year factory job. In 2020 I created a series of drawings to get through the loneliness of the lockdowns. Now in 2021 I am going to school to become a PSW, which is a hospital worker who helps clients with things like bathing ,and dressing etc... hopefully I can make a difference in the future.
• 
  2021-05-17

  EVERYTHING I'VE LEARNED ABOUT LOVE

  “Everything I learned about love” is a journal of the year 2020 by graphic designer Juddelis Villar where she compiles photographs, journal entries, and poetry she made during the year of the pandemic. Through her little archive of the year, she tells us the story of how finding love in the middle of chaos helped her survive one of the most challenging years in history.
• 
  2021-05-05

  Covid-19 Lockdown

  I decided to put together a collage of some of the paintings/drawings I have made since Covid-19 started. Most of these were from when the pandemic first started which was when we could not leave the house at all. Under the collage I added a little comment describing the word lockdown and what it meant to me. My artwork does not specifically show things like wearing masks, the number of cases we had, or schools shutting down but the artwork signifies the thing that kept me sane while the lockdown was happening and while doing remote learning I explained in my source that the artwork was basically my escape from the real word and the horrible pandemic we were experiencing. I chose to represent my experience in this way because the lockdown, not being able to see friends and families was a huge effect from Covid-19 and it was also one of the hardest things for many people to do.
• 
  2021-02-14

  When Will The DJ Of Luv Grant Me My 1 Request

  In February 2021, Victoria based musician Future Star released their debut album called "When Will The DJ Of Luv Grant Me My 1 Request". The song "Duck Song" explores intimacy during a pandemic with lines like "i wanna be comforted, you can't hold my hand", "throw a blanket over me from across the room", and "we stay six feet away".
• 
  2020-08-30

  The Together While Apart Art Project

  I want to share a beautiful story about hope, healing and creativity during the pandemic that originated here in Charleston, South Carolina. It is about how 20 artists from 8 different states got together from afar while physically separated to spread joy and happiness through a large art collaboration. There was no other goal than simply wanting to heal our world.   The Together While Apart Art Project grew from a desire to combat the sadness and isolation that was prevalent during the pandemic. Twenty artists from over 8 states got together from afar to use their creative gifts to collaborate on one large work of art. What is significant about this group project is that each artist channeled the emotions they were experiencing during the height of the global pandemic in hopes of healing themselves as well as providing comfort to a broader audience.   The 20 artists were from many diverse backgrounds and from 8 different states. I was able to locate them through an open call on social media, as well as using contacts generated by a wide range of friends and family. At the onset of this project, the only art supplies I had to send each participant were an abundant supply of recycled shipping boxes. Because much of my art is built from repurposed items, keeping this theme of repurposing for the Together While Apart Art Project was very fitting.  I sent each artist several 6” x 6” square pieces of cut cardboard from these recycled boxes with one simple instruction: think outside of the box! My goal was that through the creative process, each artist would find an outlet for his or her feelings and eventually these emotions would transform into joy. Ultimately, our collective joys would be multiplied and shared with many others through our artwork.  I knew the world needed this dynamic group’s creative gifts. I also knew these amazing participants needed to share their gifts in order to process the current situation the world was in. I can say with certainty, that I am amazed at the outcome. This collaborative piece tells an inspirational story of resiliency, connections and hope during a pandemic that none of us could have imagined a few years ago.  And now, it is time to find this amazing piece a home. If you have a suggestion for an appropriate place that we might donate and/or exhibit this piece, please let me know. I would consider doing a rotation cycle so that several organizations may each enjoy this amazing artwork. Wherever this piece is displayed, I hope it inspires love, warmth, optimism, strength and happiness-the emotions we all felt while creating our individual squares. When people view this beautiful collaboration, they will be reassured that our collective strength grows when we come together by showing love and support for one another. When we connect with one another, we can use our strengths to work towards a greater good. Together, even while apart, we can do great things. And despite the utter chaos and sadness in the world, there are always kind hearted people working to find ways to bring hope and healing to others. Here is a very short video celebrating this project. https://youtu.be/9eGsOCIqESY Fondly,  Deane Bowers  Charleston, SC  804-874-2929
• 
  2021

  Reality

  Posted in a Banksy fan page on Facebook. Not a Banksy but artist unknown at this point. The OP titled their post "Reality".
• 
  2021-04

  Pandemic Street Art: Lauren YS/squidlicker and #stopaapihate

  Los Angeles-based artist Lauren YS, aka squid.licker, is well known world-wide for their mural street art. During the pandemic, they put up a mural at 1700 Naud Street in Los Angeles that reads, "Stop Asian Hate Crimes" and "Protect Our Elders." Also shown are "Stop Asian Hate" posters, with proceeds going to @stopasianhate and @squidtropica.
• 
  2021-04-20

  Hands-on art classes adapt to COVID-19 restrictions

  Art professors at Saint Joseph's University talk about changes they've made to their courses due to COVID-19.
• 
  2021-04-10

  Black Lives Matter, Artist and Craftsman Supply in San Diego

  It's still pretty rare that we go anywhere other than a grocery store or the occasional gas station, but it was necessary to re-up on art supplies (green pen, eraser pencil, sketch books, and the like). At one of our favorite supply stores, the Artist & Craftsman Supply in the Hillcrest neighborhood of San Diego, we found the goods. There were limited customers, all with masks. The plexiglass in front of the register kept employee-artists and customer-artists that much safer, as did the gallon-sized dispenser of hand sanitizer. As we left speedily, we noticed several "Black Lives Matter" signs posted in the windows.
• 
  2020-07-15

  Wear a Damn Mask

  #WEARADAMNMASK   So excited to finally share the finished image for #GigiJournalPartII @vmagazine , which is officially on select newssstands! (Link in bio to order online) I couldn’t be more proud to be part of this very special publication, guest edited and creative directed by @gigihadid 💙    A month and a half ago while working on this, I never thought that at the time of the journal’s publication, cases in the US would be surging in 41 states and that hospitals would be swelling. For those who continue to resist precautionary measures and try to argue that the threat of this virus is false, I have family working in an ER full of COVID patients in Tennessee right now, and can promise you this is very real. So please, wear a fucking mask and wash your hands! It’s the absolute least we can do.     Thank you to all the essential workers, who now 4 months in, are continuing to risk their lives by going to work every day. This work is in honour if you 💙
• 
  2020-07-13

  From sketch to reality

  Artist Misha Japanwala uses plaster as an artform. Here they made a plaster mold of their face and encourages people to wear a mask. Misha said this in their post: From sketch to reality 😷 (+ the unglamorous process where I look like Hannibal Lecter 😭) and please, wear a mask
• 
  2021-04-08

  How does the pandemic affect children?

  This article titled "Coming of Age" is a great article that provides various art pieces from children all around the world. Who, through their art display the feelings they feel during the pandemic, certain stepping stones of their life that they were unable to celebrate fully, and even self-development that was limited. More can be said about the article by looking at the images provided and the unique descriptions below them.
• 
  2020-03-16

  Love in The Time of Corona: Pobel

  Our headline comes from adapting the title of a novel by the Nobel prize-winning Colombian author Gabriel García Márquez, replacing the infectious Corona for the infectious Cholera. In his love-triangle story, he speaks of the lessons learned from a particular woman, but he may as well have been speaking about the now-global crisis we humans are facing: “(she) stood him on his head, tossed him up and threw him down, made him as good as new, shattered all his virtuous theories, and taught him the only thing he had to learn about love: that nobody teaches life anything.”
• 
  2020-10-28

  Indigenous sovereignty and shared solidarity at heart of national art campaign

  Indigenous land stewardship is a relatively new term, forged to compel more people to live in closer relationship with the land. As our world passes through multiple crises of our making, racial justice is the ultimate issue, and goal. As such, across many of the pieces commissioned by Nia Tero is the relationship between Black liberation and Indigenous sovereignty. A key message in these posters is the encouragement for people to get out and vote, use their voices to effect change on these critical issues and uplift diversity in leadership. The poster on the back of this newspaper page that you’re currently reading is part of a new series made in collaboration with Nia Tero, IllumiNative, and Amplifier Art, which debuted on Indigenous Peoples’ Day 2020 to elevate the work of Indigenous land stewardship, and to promote support of Indigenous peoples every day. The purpose of this collaboration is to demonstrate how coming together now, in this moment, is critically important for racial justice, climate action and collective liberation.