Items

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  2020-09-29

  Is This the End of Contemporary Art As We Know It?

  Artist Liam Gillick and a writer for ArtReview, J.J. Charlesworth talk about the changes brought by the pandemic and the many ways that everything will most likely remain the same. Interestingly, they examine the beginning and end of “contemporary art” and the complex web of economic, social, political and cultural factors that are shifting and breaking down in different ways from our current crises. 

In the end, the feeling that art will survive but the idea that this particular period of art and the art world has reached its end is contemplated.
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  2020-06-30

  What Might the Artworld’s ‘New Normal’ Look Like?

  The ArtReview article comments on the new normal and the possible dangerous path we are propelling towards as a society with accelerated speed. The article specifically discusses the use and imminent fears on future reliance of technology in the art sector. Looking on the positive side, social justice and pressure from activism groups and the Black Lives Matter movement have spurred the beginning of greater reform within the art world including decolonization efforts in museums, diversity in collections, exhibitions, and staff.
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  2021-07-20

  Art Handlers, Contract Workers at Galleries Faced Steepest Losses During Pandemic: Survey

  The ARTnews article uses ADAA (Art Dealers Association of America) data from their official survey to consider the far reaching implications of the pandemic on the art world. Examples of staggering job loss in art handlers and contract workers in particular provide a look into possible changes in the artillery model for the short term while in lockdown. Quantitative data on online art fair participation, and percentages of galleries that received the PPP loan are included as well.
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  2020-03-20

  Art Basel Hong Kong Moves Its Art Fair Online in the Wake of Coronavirus

  W Magazine’s “Art Basel Hong Kong Moves Its Art Fair Online in the Wake of Coronavirus” discusses the complete digitization of the 2020 Art Basel Hong Kong edition. The feeling of losing the general energy of art events or the excitement of an art fair booth setting more specifically that I and many of my friends and colleagues had when transitioning to remote work was echoed in the article. More interestingly, the article touches on the artistic responses to the pandemic - augmented reality or digital works playing with the new virtual lens that constituted our world during the height of Covid.
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  2021-05-21

  “'It’s impossible to compare 2019 and 2021; it’s a completely different world': what has sold at Art Basel in Hong Kong”

  Art Basel, Hong Kong did finally happen in person in May 2021. In the article, Lisa Movius discusses the reception to the hybrid-model art fair, the change in demographic, noteworthy sales, and spotlighted works, artists, and gallery booths.
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  2020-10-20

  "In the Return of Art Fairs, Smaller Is Better", The New York Times

  This New York Times article from October 20, 2020 comments on the positive spotlight smaller art fairs and lesser known galleries have bene thrust under due to restrictions on social gatherings and a changing public perspective amidst uncertainty and turbulent political and social issues exacerbated by Covid-19. The pandemic has provided an opportunity for smaller, more niche art fairs such as 1-54 or Viennacontemporary.
• 
  2020-11-17

  "Art Basel in Hong Kong postponed to May as coronavirus throws 2021 art fairs into disarray"

  Anny Shaw writes for The Art Newspaper about the postponement of the 2020 edition of Art Basel, Hong Kong. The art fair was previously cancelled in February one month ahead its standard date in mid-March. It was tentatively rescheduled for May 2021 in hopes of vaccination and improvement in daily numbers of contraction and death rates.
• 
  2020-06-06

  "Art Basel Has Canceled the 2020 Edition of Its Flagship Swiss Fair, Citing ‘Tumultuous and Challenging Times’"

  The Artnet article discusses the trepidation in decisions to resurrect in-person events, specifically annual international art fairs. Businesses and institutions prematurely made plans for the reopening of in-person events in the summer of 2020 in hopes of recouping money lost during the initial lockdown in the spring. Art fairs are premier money making events and networking opportunities in the contemporary art world that are ultimately economically beneficial for gallerists, art advisors, fine arts shipping companies, local restaurants and businesses, and hotels alike. Organizations such as Art Basel rake in enormous sums of money each year through their hosting of mega-art fairs in various international locations. The article focuses on Art Basel’s announcement of yet another change in the program for Art Basel as the art world grapples with the decision of public health versus economy. The fair looked to digital alternatives as a way to sustain in the interim.