Items

• 
  2020-03

  Image from Inside a Closed Museum During Lockdown, Musée du Louvre

  This is an image included in the article, "Museums, Curators, and Artists Find Innovative Solutions for Showing Art in a Pandemic". Taken from a bird's eye view from within the Musée du Louvre, the image shows an empty museum gallery save for a solitary employee. The image is captioned "An employee walks next to Martin Desjardins’s Quatre Captifs in the Musee du Louvre, Paris, closed to the public indefinitely amid concerns on the COVID-19 outbreak, 2020. "
• 
  2020-05-04

  Amateur Art During the Pandemic

  This is a sculpture of a seahorse hanging onto a piece of seaweed. The base is newspaper, toilet paper tubes, masking tape, and paper mâché. The seahorse is painted gray and the seagrass is painted green. Each element is covered in soda tabs, and the ones on the sea grass are spray painted green. The whole thing is attached with nails to a branch I found in the woods of my backyard. This paper mâché seahorse was a project for my sculpture class senior year. I remember the base of the seahorse was due on Friday March 13th. That morning, my mom told me to bring everything home in case we went virtual and weren’t allowed back in the school. So I lugged the whole thing back home that weekend, and sure enough my mom was right. Most of my classes didn’t do very much for the rest of the year, since we were seniors and AP tests were the only thing we had to worry about. However, my art teacher did not take this approach. She continued to hold weekly meetings to check in on our progress for this sculpture. She had us come by the school to pick up supplies to finish it, and it ended up being really good for me. I wasn’t too happy about this at first, since I was only taking the class for fun and it ended up being a lot harder than I thought it would, but it quickly became the most enjoyable part of virtual school. I am the kind of person that needs direction and a schedule or else I will just waste the day, so the pandemic was hard for me once school went virtual and I didn’t have anything to do. I had an abundance of energy and nothing to spend it on. This project allowed me to complete something that required focus, and that also allowed me to take a break from the mundane days I was experiencing. I didn’t have time to sit there and think about all that I was losing and all that the world was losing, because I was working on this piece. It got to the point where I looked forward to doing this homework, and I was actually sad when I finished it.
• 
  2021-03-19

  Introspective Interconnectivity and My New Dance Partner

  Went it seemed like the entire world shut down because of COVID-19, and we were ordered into lockdown, we could no longer be out and about in the world, gather – or even see our friends and families. As time passed, people began to absorb the implications the pandemic was having on their lives and our responses ranged from loss and mourning, loneliness, and restlessness to introspection, creativity, and reinvention. Meanwhile, the natural world began to tap our shoulders. The animals returned to our cities, birds had took back the skies, and all sort of hidden gems were no longer obscured by our pollution. My own relationship with nature is one of push and pull. I witness in nature, the miracle and fragility of my own fleeting life force mirrored back to me. This inspires awe and intensifies my awareness of being alive, of being a conscious individual within a larger interconnected whole yet understanding that this “whole” remains elusive. My mind battles to rationalize my observations and impressions of an intelligent force that seems equally purposeful and chaotic, innocent and cruel, physical and divine. This relationship has held me rapt and has been at the heart of why I make art. For over 20 years, I have incorporated moss (both living and dried), pine needles and other organic materials into sculptures, constructions and large-scale installations that explore the living energy of the natural world. It is while being in nature that I find myself closest to my art. As I carefully and respectfully collect mosses and needles, the seductiveness of vibrant colours and complex textures occasionally gives way to revulsion as I realize how much insect life they carry back to my studio. While I am made ecstatic by the beauty of life, I am terrified of stumbling upon traces of death. But now, with the pandemic, the possibility of death has come very much to the foreground where, just breathing in public feels dangerous. Although usually a citizen of the world, I am currently fortunate to be living in the country, with the expanse of Georgian Bay across the road and surrounded by deep forests. Outside of my miniscule bubble, I am essentially alone here and the deafening silence has force me to look further inward. My new work has become intimate in scale – small wall constructions made with pine needles. I sort, order and place my pine needles with Baroque intention. They are painstakingly laborious to make – a process that is contemplatively ritualistic but it is now the one area where I feel a sense of control and I am able to manifest love in a physical way. The forest seems ever more vibrant now because when the world went silent, Mother Nature returned to her dance, and now I can fully be in that dance.
• 
  2020

  Glass Microbiology, Luke Jerram

  This glass sculpture was created by an artist from the United Kingdom, commissioned by a “university in America to reflect their current and future research, learning in health, and its focus on solving global challenges.” This item shows how art has been part of the pandemic experience as a teaching tool. The experience of visual art can convey thoughts, emotions, trigger feelings and conversations, and is an important part of exploring and understanding how people are navigating the pandemic. This piece is part of a larger collection of virus sculptures, which have been featured in medical journals, and displayed in museum collections around the world.
• 
  2021-01-29

  Computer

  covid sucks and its killed people in my family
• 
  2021-01-28

  clay mask

  this is a clay mask with we are fighting two pandemics coronavirus & stupidity