Items

• 
  2020-09-27

  Views From Quarantine

  On September 3, 2020, I was notified by a friend that I had come in close contact with someone who had tested positive for COVID-19. I then spent the next 14 days in quarantine, not once leaving my room. Since I live and work in the Taylor Place dorms, I immediately notified the community directors and was placed in a quarantine dorm where I could be separated from my roommate. Despite testing negative for COVID-19 and not having any symptoms, I still needed to quarantine for 14 days as a precaution according to ASU Health Services. Being confined by empty white walls and only being able to see slivers of the sky made the loneliness even more apparent. Although my camera was the first thing I packed, it took me until the ninth day to find the motivation to pick it up. I began photographing the things I could see from my dorm or my “Views from Quarantine.” Using a long lens, I had residents pose in their windows in ways that expressed their personalities. With every photo, I felt less and less alone. I began to realize how important it is for people to see what it meant to quarantine in the dorms. So I also began photographing my meals and room. At the end of it, I put together a photo story, “Views from Quarantine,” that was published in The State Press. It is probably one of my proudest accomplishments so far.
• 
  2020-05-04

  Amateur Art During the Pandemic

  This is a sculpture of a seahorse hanging onto a piece of seaweed. The base is newspaper, toilet paper tubes, masking tape, and paper mâché. The seahorse is painted gray and the seagrass is painted green. Each element is covered in soda tabs, and the ones on the sea grass are spray painted green. The whole thing is attached with nails to a branch I found in the woods of my backyard. This paper mâché seahorse was a project for my sculpture class senior year. I remember the base of the seahorse was due on Friday March 13th. That morning, my mom told me to bring everything home in case we went virtual and weren’t allowed back in the school. So I lugged the whole thing back home that weekend, and sure enough my mom was right. Most of my classes didn’t do very much for the rest of the year, since we were seniors and AP tests were the only thing we had to worry about. However, my art teacher did not take this approach. She continued to hold weekly meetings to check in on our progress for this sculpture. She had us come by the school to pick up supplies to finish it, and it ended up being really good for me. I wasn’t too happy about this at first, since I was only taking the class for fun and it ended up being a lot harder than I thought it would, but it quickly became the most enjoyable part of virtual school. I am the kind of person that needs direction and a schedule or else I will just waste the day, so the pandemic was hard for me once school went virtual and I didn’t have anything to do. I had an abundance of energy and nothing to spend it on. This project allowed me to complete something that required focus, and that also allowed me to take a break from the mundane days I was experiencing. I didn’t have time to sit there and think about all that I was losing and all that the world was losing, because I was working on this piece. It got to the point where I looked forward to doing this homework, and I was actually sad when I finished it.
• 
  2021-08-30

  my experience with mental health in quarantine

  the drawing is a representation of how my mental state has deteriorated and I lost the confidence, ability to socialize well, and my worsening depression.
• 
  2021-08-10

  Street Art

  A friend of mine posted this photograph on social media
• 
  2020

  Neighbourhood walks

  Some pictures of my local neighbourhood walks within my 5km radius of Albert Park, Prahran and South Yarra. Some cute and creative things that people did to brighten other peoples' walks. All taken during the long lockdown in Melbourne between August and December 2020.
• 
  2021-08-05

  Recovery Justice Mail Art

  I See Dedication I See Hope I See Love We are all suffering illness, sadness, loss of the way we think life should be– Using the cool patterns on the panels of tissue boxes, I thought that material appropriate. Most of these collaged images appropriate an eye form, much like the Turkish Evil Eye, when given as a gift it offers protection. In this project many 18th St. artists participated and a single art piece was sent out with mental health support materials for anyone who signed-up on our website. This has been an artist-driven 18th St. Arts supported and produced project also supported by Recovery Justice, Santa Monica and We Rise LA. Special thanks to Sara Daleiden and Sue Bell Yank at 18th St. –Melinda Smith Altshuler P.S. Honestly it has been an honor and a blessing to produce work for this project and also support our friends and neighbors who are suffering more than us.
• 
  2020-10-10

  Covidian Talismen

  During the pandemic, Still Life Studio in Santa Monica had to shut down. I set up a studio at home and used my ceramic work to cope with the pandemic. The epic quality of a world wide pandemic soon became the theme of the work itself. I wanted archeologists to dig up these vessels a thousand years from now and know what we had gone through. The "Covidian Amphora" tells the story of things we were doing during the pandemic. The "Vaccine Brewpot" was done about a month before the vaccine was available. I was excited and so made a giant sized (14" x 20") brew pot for it. After I got my shot, I made ceramic vials for antibodies as an ode to the antibody dragon searching through our system.
• 
  2020

  VART 3030 Fordam University, email of assignment prompt

  Email from Casey Ruble, an instructor at Fordham University, VART 3030. Asked students to "familiarize themself with the archive and begin posting images etc. of their observances of the world around them." Students submitted to archive during the Spring semester 2020
• 
  2021-05

  Bronx Community College ART 89 Syllabus Spring 2021

  Syllabus for partner class ART 89 from Bronx Community College. Instructor Lisa Amowitz. Spring 2021
• 
  2020-07-17

  Flora from our Garden

  During the pandemic, it was important for me to focus on nature and creating art. It also felt important to start a big project that would require steady discipline to complete, and it centered me to work on the mural daily, in pieces. I worked to capture the vivid flowers that bloom in our garden at various times of the year-which I had observed directly and sketched. It took me over three months to complete, making my time in lock down richer, and giving me a sense of purpose and ease.
• 
  2021-07-21

  Hope Love Heal

  “Hope Love Heal” is a series of 30 separate artworks. Each mail art piece was made with the hope that it would inspire the recipient to seek out mental health care as one way of dealing with the pandemic. Each artwork was hand made with love.
• 
  2021-07-12

  SMhopes banners

  These banners were made from submissions to the #SMhopes call on this site, and displayed around the City of Santa Monica in the Spring and Summer of 2021. Designed by Paula Goldman and supported by a grant from Art of Recovery, an initiative of Santa Monica Cultural Affairs.
• 
  2021-06-19

  Pet Adoption Comic NPR

  This comic is fun, engaging, and informative. It talks about the increase in pet adoption during the pandemic and how pets helped a lot of people deal with emotional trauma. It cautions would-be pet owners not to jump blindly into adopting and to think about what will happen when life returns to normal. Separation anxiety can be difficult for pets to deal with, and owners need to have a plan for that.
• 
  2020

  Magical Summer!

  Because of all the restrictions in place last summer, it was hard to watch all the kids in the neighborhood try and find stuff to keep them occupied and happy. I live next door to three little girls. So one day, when they were not home, I built a small fairy house on the tree between our yards. The girls believed that a fairy had moved in and they couldn't be more excited. Every few days or so I would go and sprinkle glitter around the house so it looked like the fairy was walking around the house. It was so much fun to hear the girls yell in excitement when they saw new glitter or a new addition to the fairy house. It made them and happy and it made me happy. Of course, their parents knew it was me, but to their young imaginations, a real live fairy was living in their yard.
• 
  2020-03-30

  The Real CovidBusters

  This is a drawing that I created in Mar 2020 after I had been let go from a 14 year factory job. In 2020 I created a series of drawings to get through the loneliness of the lockdowns. Now in 2021 I am going to school to become a PSW, which is a hospital worker who helps clients with things like bathing ,and dressing etc... hopefully I can make a difference in the future.
• 
  2020-06-20

  Quarantine Bingo

  I created this art journal page in June of 2020. It's a bingo card and each square represents an aspect of the pandemic, from popular shows at the time to trends to ways our lives changed.
• 
  2021-05-01

  "Hope Love Heal"

  Art can create change. The 2020 pandemic year and all its struggles informed my mail art project. My hope was that this small art project would help others in a big way through creativity and connection to the community. My art piece titled "Hope Love Heal" is a direct response to the collective struggle. I am honored to be a part of the "We Rise" Campaign to help shed light on mental illness, mental awareness and mental well being. I hope my mail art project will touch others and let others know that they are not alone. And to remember...with a little "hope" and "love" we can "heal".
• 
  2020

  A Photo Journal (2020-2021)

  This is a short photo journal of my life through the Covid-19 pandemic. It includes birthdays, quarantine life, graduation, protests, nature, and photoshoots. These are all important to me because these are the things that changed the most for me during this time. Birthdays changed from big parties to small gathering of friends or zoom meetings. Graduation turned from a big, movie-like event, to a closed-off, exclusive gathering. I began to explore myself more through photoshoots and Instagram. I became more informed on social injustice while I, a mixed woman, was able to help others understand my family's story. I got out into nature as inside became increasingly dangerous. Everything changed for me. For the better but it changed so much. I wanted to share my experience because it was such an important time for me.
• 
  2021-05-17

  EVERYTHING I'VE LEARNED ABOUT LOVE

  “Everything I learned about love” is a journal of the year 2020 by graphic designer Juddelis Villar where she compiles photographs, journal entries, and poetry she made during the year of the pandemic. Through her little archive of the year, she tells us the story of how finding love in the middle of chaos helped her survive one of the most challenging years in history.
• 
  2021-05-09

  Theatre Workshop presents: The Essential Bronx - COVID Stories, Part 2

  We have preserved in this short film a selection of Theatre Workshop students' authentic experiences during the COVID-19 pandemic and we want to share these stories with you.
• 
  2021-05-19

  New Dawn, New Day

  Nina Simone’s iconic version of "Feeling Good" plays as I put the last touches on my final painting for the We Rise L.A. project. Nina sings: “It's a new dawn It's a new day It's a new life For me And I'm feeling good I'm feeling good” My gouache (opaque watercolor) and ink artworks on paper, explore morning light, morning life, and the hope engendered by the dawn of a new day. Sourced from my memories of travel, these paintings reflect morning journeys, rituals, and routines. This series was created in partnership with We Rise LA for Mental Health Awareness and 18th Street Arts. My 41 works of art were created as messages of hope, beauty, wellbeing, and self-compassion. Nina sings: “Oh, freedom is mine And I know how I feel It's a new dawn It's a new day It's a new life”
• 
  2019

  Men In The Mirror

  These are all doodles I made during the pandemic when I felt myself crashing, self-sabotaging, or just critical condition emotionally. The drawing on the left is the most recent drawing I made. It shows that I have a heart that is depressed and a mind that is rotting away with a confused face. In the background, you also see the word help radiate from me. This symbolizes how I feel about my education. I feel like, during the pandemic, I'm not able to bounce ideas back and forth on my own, so being alone, I get lost and overcrowded. The one on the top right also expresses my view of myself. It shows that I have a bright flame that either gets drowned with depression or fueled with anger. This relates to the pandemic because when everything got shut down, I Felt very divided with what I was doing and who I was. Lastly, the bottom right picture shows me at a table looking at my hands with a bowl of fruit and pills. This was drawn about halfway through my fall 2020 semester because I have focused on medication. Still, they made me also feel emotionless and more confused about my own personal identity and where my heart was with my art if I can't express it. After this drawing, I became numb and ended up not doing most of my finals and leaving me empty for a while during winter break. The only thing that got me out was seeing my family again after seven months of not really seeing anyone close to me. I also stopped taking meds and had a withdrawal effect at the begging of my spring semester. Now I'm just trying to keep my head up to return to normalcy and see my friends that closely monitored me before knowing how I get affected by certain things.
• 
  2021-01-22

  you good?

  At the beginning of the shut down, I got an email from a friend who asked "you good?". I didn't know how to answer that; I wondered if anyone was "good". Over the next few months I worked on a photographic piece for a show at the Museum of Art and History in Lancaster that opened in January. I had a neon sign made for the title. The museum then had glowin the dark pins made to sell in their store. It seemed to hit a nerve because it sold out in few weeks and they have to reorder. I have a fantasy of everyone walking around with these pins: you good?
• 
  2020-03-31

  Ghost City Avenue S

  "Avenue S" a new addition to "Ghost City," 1998-2020. It is a ongoing creation of new web pages begin in March 2020 containing fragmented images and texts that are a poetic meditation on isolation. Because it felt like a ghost town everywhere at the beginning of the pandemic: the streets were empty; the beaches and parks were closed people stayed at home or walked alone wearing masks, I wanted to provide an alternative experience. Avenue S, in retrospect has become a visual journal of the year of Covid-19.
• 
  2020-11-11

  Pandemic Street Art: I VOTE

  On November 11, 2020, my middle child and I went for an art walk in midtown Sacramento to celebrate her birthday. Amongst the murals, many of which were put up during Wide Open Walls events of the past few years, we came across a new collection on the WEAVE building. The mural collection commemorates 100 years of the 19th amendment. WEAVE (Women Escaping a Violent Environment) is "the primary provider of crisis intervention services for survivors of domestic violence and sexual assault in Sacramento County." The artist of these murals is Maren Conrad, a Sacramento artist. She put these up during the pandemic, in October 2020.
• 
  2020-08-30

  The Together While Apart Art Project

  I want to share a beautiful story about hope, healing and creativity during the pandemic that originated here in Charleston, South Carolina. It is about how 20 artists from 8 different states got together from afar while physically separated to spread joy and happiness through a large art collaboration. There was no other goal than simply wanting to heal our world.   The Together While Apart Art Project grew from a desire to combat the sadness and isolation that was prevalent during the pandemic. Twenty artists from over 8 states got together from afar to use their creative gifts to collaborate on one large work of art. What is significant about this group project is that each artist channeled the emotions they were experiencing during the height of the global pandemic in hopes of healing themselves as well as providing comfort to a broader audience.   The 20 artists were from many diverse backgrounds and from 8 different states. I was able to locate them through an open call on social media, as well as using contacts generated by a wide range of friends and family. At the onset of this project, the only art supplies I had to send each participant were an abundant supply of recycled shipping boxes. Because much of my art is built from repurposed items, keeping this theme of repurposing for the Together While Apart Art Project was very fitting.  I sent each artist several 6” x 6” square pieces of cut cardboard from these recycled boxes with one simple instruction: think outside of the box! My goal was that through the creative process, each artist would find an outlet for his or her feelings and eventually these emotions would transform into joy. Ultimately, our collective joys would be multiplied and shared with many others through our artwork.  I knew the world needed this dynamic group’s creative gifts. I also knew these amazing participants needed to share their gifts in order to process the current situation the world was in. I can say with certainty, that I am amazed at the outcome. This collaborative piece tells an inspirational story of resiliency, connections and hope during a pandemic that none of us could have imagined a few years ago.  And now, it is time to find this amazing piece a home. If you have a suggestion for an appropriate place that we might donate and/or exhibit this piece, please let me know. I would consider doing a rotation cycle so that several organizations may each enjoy this amazing artwork. Wherever this piece is displayed, I hope it inspires love, warmth, optimism, strength and happiness-the emotions we all felt while creating our individual squares. When people view this beautiful collaboration, they will be reassured that our collective strength grows when we come together by showing love and support for one another. When we connect with one another, we can use our strengths to work towards a greater good. Together, even while apart, we can do great things. And despite the utter chaos and sadness in the world, there are always kind hearted people working to find ways to bring hope and healing to others. Here is a very short video celebrating this project. https://youtu.be/9eGsOCIqESY Fondly,  Deane Bowers  Charleston, SC  804-874-2929
• 
  2021-03-29

  Street Art Destroy Racism – Collection of anti-racist art

  Racism is a virus, a sickness we need to fight and eradicate together! ✊🏿✊🏾✊🏽✊🏼✊🏻 I will never understand, but I stand with you. This portrait is based on a powerful photo by @futurehackney taken during the Black Lives Matter protests in London. This mural will definitely stay for a while – a reminder that inequalities and injustices happen every day, tearing countless lives and families apart, and that the fight against racism and discriminations can never stop.⁣ ⁣⁣
• 
  2021

  Reality

  Posted in a Banksy fan page on Facebook. Not a Banksy but artist unknown at this point. The OP titled their post "Reality".
• 
  2021-04-21

  James Rayroux's JOTPY Portfolio

  --Reflections on the Pandemic Archive-- Looking back over my experience with the “Journal of the Plague Year” COVID-19 archive, my prevailing emotion is gratitude. This opportunity granted me experience that few historians earn, and the remote, asynchronous work schedule allowed me to collaborate with my colleagues in ways that maximized our respective contributions. The breadth and depth of our individual experiences and perspectives tremendously improved our collective process and products. I spent enough time in the Arizona State Archives last year to recognize such collections as historical treasure chests, but I have now participated in processing an archive’s content and navigating the ethical dilemmas those submissions sometimes create. Archivists and curators are the history profession’s truly unsung heroes, and their work facilitates society’s perception of itself. My background in police work and public safety drew me to the archive’s existing Law Enforcement collection. In taking on that subset, I succeeded in reshaping the collection’s parameters to now include stories about police and law enforcement. I wanted to diversify the collection to encompass perspective of both the police and the public with whom they interact and serve. While some overlap exists between the Law Enforcement and Social Justice collections, each remains distinct. Through my contacts and writing, I promoted a Call for Submissions to an international audience of law enforcement professionals to reduce their relative silence within the archive. Within the archive’s content, I recognized that one’s location might shape their pandemic experience, and I created and designed an Arizona-based exhibit to explore that. Further research and discussion with my mentors and colleagues ensured the exhibit illustrated these differences without excluding visitors whose diverse experiences could further enrich the archived and exhibited content. I am proud of my “Arizona’s COVID-19 Pandemics” exhibit, particularly because of its compressed, one-month incubation period. Beyond displaying images, data, and stories representative of the diverse pandemic experiences within the state, the ACP exhibit offers visitors numerous levels of interaction and engagement to became active participants and create their own exhibit experience. Visitors can complete opinion surveys, add a story to the archive, explore additional content related to the displayed pieces, view ever-changing results from pre-defined archival content searches, conduct their own archival search, view collective visitor survey results, and apply to join the staff. The exhibit’s searches will include the archive’s future submissions, which reshapes both the exhibit and the experience visitors may have with it. A more detailed explanation of my ACP exhibit may be reviewed here: https://covid-19archive.org/s/archive/item/43037 Because of Dr. Kathleen Kole de Peralta and Dr. Mark Tebeau, I stand prepared to join research, curation, and exhibition teams and immediately contribute to their work products. Despite my gratitude for this experience and the opportunities it presented, I look forward to the day COVID-19 is no longer part of humanity’s daily vernacular. James Rayroux 22 April 2021
• 
  2021-04-20

  Hands-on art classes adapt to COVID-19 restrictions

  Art professors at Saint Joseph's University talk about changes they've made to their courses due to COVID-19.
• 
  2020-06-19

  Pandemic Street Art: collab by Menace and Resa

  These are screenshots of the Instagram account that represents collaborative artwork by muralists Menace and Resa. The "UNITY" mural is in South Central Los Angeles, California and was done "in response to pandemic fueled anti-Asian hate crimes." The "More Justice, More Peace" mural is in Brooklyn, New York and memorializes Malcolm X and Martin Luther King, Jr. in celebration of Juneteenth.
• 
  2021-04-20

  How Downtown Iowa City plan to bounce back as pandemic eases and shoppers return

  Iowa City has started to formulate plans for fully reopening its downtown area. However, a survey of the stores downtown shows that some business owners are considering selling or closing. In order to help revitalize the community, the city has started efforts to help bring the business more customers.
• 
  2020-04-01

  POTUS45 COVID19

  As an Australian who has traveled extensively in the US and who has met many kind and generous people over the years, watching America being ravaged by the virus in those early months was horrifying. Especially my beloved NYC. This was compounded by the incompetence and wilful neglect of the Trump administration. And so, this project - the visual smashing together of two mediated narratives POTUS45 and COVID19 - began out of rage in April of 2020 when the death count had (only) reached 100,000. Pasting up these posters across the streets of Melbourne - in a time of helplessness, of lock-downs, of isolation and of global death counts - felt cathartic. It won't of course bring back the dead or heal the suffering of the long haulers, but it was a physical act of artistic expression and global solidarity. That was a year ago, POTUS45 is gone (for now), but the cost of his administration's negligence is represented in the statistics of April 2021 that were unfathomable a year ago.
• 
  2021-04-10

  Black Lives Matter, Artist and Craftsman Supply in San Diego

  It's still pretty rare that we go anywhere other than a grocery store or the occasional gas station, but it was necessary to re-up on art supplies (green pen, eraser pencil, sketch books, and the like). At one of our favorite supply stores, the Artist & Craftsman Supply in the Hillcrest neighborhood of San Diego, we found the goods. There were limited customers, all with masks. The plexiglass in front of the register kept employee-artists and customer-artists that much safer, as did the gallon-sized dispenser of hand sanitizer. As we left speedily, we noticed several "Black Lives Matter" signs posted in the windows.
• 
  2021-04-17

  Represent like Elvin Fourfeathers!

  This photo was posted on the Social Distance Powwow Facebook page. Fourfeathers’s face seems to hold a thought captive. Was he going to say something to the photographer? What is he thinking? Would I even understand as a non-Indigenous person? What do the different pieces of regalia represent? Did the photographer take this pre-pandemic but posted now lamenting the loss of tribal gatherings? So many questions to such a beautiful photograph. You keep on representing Elvin. Teach us all.
• 
  2021-04-18

  Social Distance Powwow - Native Pride

  Native Alec BigCanoe posted a photo of himself wearing his father's regalia on the Social Distance Powwow Facebook page. He looks forward to powwows starting again.
• 
  2021-04-16

  Junji Ito Reacts to Online Horror Artists

  Junji Ito, a Japanese master of Horror, reacts to online artists' work on an online interview being his usually quirky, few-worded self. Even midst a pandemic, all arts, even horror, are deeply loved, beloved, and shared as a facet of our culture.
• 
  2020-11-06

  Día de los Muertos 2020 with SPARC Art

  Traditional celebrations of Día de los Muertos include family and communities gathering to celebrate their loved ones that have passed on. To pivot with the pandemic experiences, SPARC Art hosted a livestream event and virtual ofrenda.
• 
  2021-01-16

  Pandemic Street Art: The Black Lives Matter Movement and the Black Public Art Tradition (in three parts)

  Author James Glenn writes, "From the New Negro Movement to the Black Power and Black Arts Movement to the Black Lives Matter Movement of today, public art created by black artists has served as communal visions of history, heritage, and hope. While it is important to highlight the work of contemporary black artists using their talents to push forward the antiracist demands of the Black Lives Matter Movement. it is imperative to understand that the current work of black artists is a continuation of the traditions black muralists initiated during the early to mid-twentieth century." This blog post explores the Black Public Art Tradition in three parts and includes an overview of Black Public Art during the COVID-19 pandemic.
• 
  2020-06-25

  Pandemic Street Art - When Windows Become Canvases: Street Art for Social Justice

  This video by SPARC Art shows a variety of social justice-themed street art in the United States.
• 
  2021-04-11

  Pandemic Street Art: teenage tagger made to apologize and cleanup

  New York teen tags the streets in "response to multiple stressors. Quarantining boredom. Family problems. Feeling stuck since graduating high school and not yet finding a job or college that fit."
• 
  2020

  Pandemic Street Art: mapping and archiving street art with the University of St. Thomas

  This is an archive project created by Dr. Heather Shirey and the Urban Art Mapping Research Project (with Dr. Todd Lawrence and Dr. Paul Lorah), University of St. Thomas, Saint Paul, Minnesota, USA "MAPPING COVID-19 STREET ART: Artists and writers producing work in the streets – including tags, graffiti, murals, stickers, and other installations on walls, pavement, and signs – are in a unique position to respond quickly and effectively in a moment of crisis. Street art’s ephemeral nature serves to reveal very immediate and sometimes fleeting responses, often in a manner that can be raw and direct. At the same time, in the context of a crisis, street art also has the potential to transform urban space and foster a sustained political dialogue, reaching a wide audience, particularly when museums and galleries are shuttered. For all of these reasons, it is not surprising to see an explosion of street art around the world created in response to the Covid-19 global pandemic, even as our movement in public spaces is limited due to public health concerns."
• 
  2021

  Pandemic Street Art: "COVID-19 graffiti" by Stefano Bloch

  Stefano Bloch is an Assistant Professor in the School of Geography, Development & Environment at the University of Arizona, Tucson.
• 
  2020-07-15

  Wear a Damn Mask

  #WEARADAMNMASK   So excited to finally share the finished image for #GigiJournalPartII @vmagazine , which is officially on select newssstands! (Link in bio to order online) I couldn’t be more proud to be part of this very special publication, guest edited and creative directed by @gigihadid 💙    A month and a half ago while working on this, I never thought that at the time of the journal’s publication, cases in the US would be surging in 41 states and that hospitals would be swelling. For those who continue to resist precautionary measures and try to argue that the threat of this virus is false, I have family working in an ER full of COVID patients in Tennessee right now, and can promise you this is very real. So please, wear a fucking mask and wash your hands! It’s the absolute least we can do.     Thank you to all the essential workers, who now 4 months in, are continuing to risk their lives by going to work every day. This work is in honour if you 💙
• 
  2020-07-13

  From sketch to reality

  Artist Misha Japanwala uses plaster as an artform. Here they made a plaster mold of their face and encourages people to wear a mask. Misha said this in their post: From sketch to reality 😷 (+ the unglamorous process where I look like Hannibal Lecter 😭) and please, wear a mask
• 
  2021-04-08

  How does the pandemic affect children?

  This article titled "Coming of Age" is a great article that provides various art pieces from children all around the world. Who, through their art display the feelings they feel during the pandemic, certain stepping stones of their life that they were unable to celebrate fully, and even self-development that was limited. More can be said about the article by looking at the images provided and the unique descriptions below them.
• 
  2020-03-16

  Love in The Time of Corona: Pobel

  Our headline comes from adapting the title of a novel by the Nobel prize-winning Colombian author Gabriel García Márquez, replacing the infectious Corona for the infectious Cholera. In his love-triangle story, he speaks of the lessons learned from a particular woman, but he may as well have been speaking about the now-global crisis we humans are facing: “(she) stood him on his head, tossed him up and threw him down, made him as good as new, shattered all his virtuous theories, and taught him the only thing he had to learn about love: that nobody teaches life anything.”
• 
  2021-01-14

  Venezuela's Pandemic Street Art

  A Caracas, Venezuela artist is using his graffiti skills to cheer people up during COVID-19. Wolfgang Salazar has gained popularity for his spray-painted murals of Venezuelan heroes and regular people.
• 
  2020-10-28

  Indigenous sovereignty and shared solidarity at heart of national art campaign

  Indigenous land stewardship is a relatively new term, forged to compel more people to live in closer relationship with the land. As our world passes through multiple crises of our making, racial justice is the ultimate issue, and goal. As such, across many of the pieces commissioned by Nia Tero is the relationship between Black liberation and Indigenous sovereignty. A key message in these posters is the encouragement for people to get out and vote, use their voices to effect change on these critical issues and uplift diversity in leadership. The poster on the back of this newspaper page that you’re currently reading is part of a new series made in collaboration with Nia Tero, IllumiNative, and Amplifier Art, which debuted on Indigenous Peoples’ Day 2020 to elevate the work of Indigenous land stewardship, and to promote support of Indigenous peoples every day. The purpose of this collaboration is to demonstrate how coming together now, in this moment, is critically important for racial justice, climate action and collective liberation.
• 
  2020-09-18

  Pilot Projects Artist Talk: "La Morena"

  Pilot Projects Artist Talk: "La Morena" is a conversation with Arizona-based muralist and painter Lucinda Yrene Hinojos and director Pita Juarez about the short film “La Morena,” on view Sept. 15–19, 2020 as part of Pilot Projects: Art. Response. Now. Lucinda talks about the process behind her murals, art and activism, and what she is working on next. The short film “La Morena” features Arizona artist, Lucinda Yrene Hinojos, who is claiming her roots and activism through her art. She brings all her love, inspiration and pain into creating murals with the guidance of her ancestors who energize her art. The result is a mural that focuses on the power of community, family and healing. This film was produced in association with Mango Skies and Poder in Action. To learn more about La Morena, check out: https://lamorenaart.com/ ***They discuss art during the pandemic, police brutality, social justice, how Covid-19 has affected their art.